Biography
- About Derek Welton
The Australian-born bass-baritone Derek Welton is recognised as one of the leading voices of his generation, with a repertoire ranging from Bach and Handel to the present day.
Following his return to the Bayreuth Festival in 2024 as Amfortas, highlights of Welton’s 2024/2025 season will include Pizarro in Fidelio at Washington National Opera, King Marke in Tristan und Isolde and the title role of The Flying Dutchman at the Deutsche Oper Berlin, Wanderer in Siegfried with Concerto Köln and the Journalist in Otto Ketting’s Ithaka at the Concertgebouw Amsterdam. Concerts will include Mahler’s Symphony No 8 with the London Philharmonic Orchestra and West Australian Symphony Orchestra, a concert of Wagner highlights with the Washington National Opera, Messiah at the Vienna Musikverein, Brahms’s Ein deutsches Requiem at the Rome Opera, The Dream of Gerontius with the WDR Symphony Orchestra and Bruckner’s Mass in F minor with the Vienna Symphony.
Calendar
Upcoming performances
- 29
- November 2024
- BBC Symphony Orchestra
Haydn and Strauss: Nelson Mass and A Hero’s Life
Elysium
Samy Moussa
Missa in angustiis (‘Nelson Mass’) in D minor
Joseph Haydn
A Hero’s Life (Ein Heldenleben)
Richard Strauss
Hannu Lintu · conductor
Nardus Williams · soprano
Jennifer Johnston · mezzo-soprano
Laurence Kilsby · tenor
Derek Welton · bass-baritone
BBC Symphony Chorus
- 19 23
- December 2024
- 5
- January 2025
- Deutsche Oper Berlin
The Cunning Little Vixen
- Leoš Janáček
Conductor · Marko Letonja
Forester · Derek Welton
Forester’s wife, Woodpecker · Stephanie Wake-Edwards
Owl · Sibylle Benner-Jost
Schoolmaster, Dachshund · Clemens Bieber
Priest, Badger · Andrew Harris
Harašta · Jared Werlein
Pasek · Jörg Schörner
Vixen · Meechot Marrero
Innkeeper · Maria Motolygina
Fox · Arianna Manganello
Frantik, Grasshopper, Jaybird · Maria Vasilevskaya
Hen · Kristina Clemenz
Pepik, Grasshopper · Lilit Davtyan
Chanticleer, Mosquito · Chance Jonas O’Toole
News
Press and updates
Successful début in Washington
Derek Welton recently made successful role and house débuts as Pizarro in Fidelio at the Washington National Opera, in a production directed by Francesca Zambello and conducted by Robert Spano, which had its premiere on 25 October. The following evening, Derek starred in Washington National Opera’s Gods & Mortals concert, featuring excerpts of Wagner’s Ring […]
Mahler 8 in Perth, Australia
Derek returned to Perth, Western Australia in September 2024 to be part of the first performance of Mahler’s Symphony No 8 in the state, performed by the West Australian Symphony Orchestra under the direction of Asher Fisch. It was Derek’s début in the role of Pater Profundus. The performances were highly praised by the […]
Bayreuth Parsifal released by Deutsche Grammophon: Welton as Amfortas
Deutsche Grammophon’s video and audio recording of Wagner’s Parsifal from the 2023 Bayreuth Festival was released yesterday, 28 June 2024. Derek Welton features as Amfortas and is joined by Andreas Schager as Parsifal, Elīna Garanča as Kundry, Georg Zeppenfeld as Gurnemanz and Jordan Shanahan as Klingsor. The recording is available for listening on […]
Welton’s stage début as Walküre-Wotan also critically acclaimed
Derek Welton’s stage début as Wotan in Die Walküre in May 2024, in Stefan Herheim’s staging at the Deutsche Oper Berlin, conducted by Nicholas Carter and Sir Donald Runnicles, was also acclaimed by the press: ‘Derek Welton’s Wotan came across as perhaps more tightly, certainly more darkly, focused; that is perhaps in part a […]
Audio and video
Featured recording
© Charlie Kinross
’Especially Derek Welton as Amfortas made [a] powerful impression, not least for [his] detailed attention to textual nuances in [his] vocal delivery.‘
- Opera
‘Derek Welton’s Wotan is a mighty force’
- The Times
‘Welton’s dark bass answered as Pater Profundus, a stark timbre reflecting dramatic text’
- The West Australian
‘Derek Welton stars as an Amfortas full of nuances, impeccable in his declamatory phrasing.’
- ABC
‘Derek Welton delights as Amfortas with his lyrically grounded bass-baritone, singing every phrase cleanly and making the torment of this man absolutely palpable.’
- Online Musik Magazin
‘The Australian baritone Derek Welton’s Amfortas showed security in register, attention to detail, a homogeneous tone and a remarkable declamation without falling into affectation.’
- Platea Magazine
‘Derek Welton sang Amfortas with equal confidence. His powerful baritone handled the extremely difficult part clearly, cleanly and with extremely clearly understandable diction.’
- Klassik begeistert
‘Derek Welton was totally praiseworthy in his portrayal of Wotan, ever moving, and singing fully with emotion.’
- OperaWire
‘Derek Welton was a youthful Wotan, full of virile energy and using the full range of his voice to add meaning to the text, unafraid of descending almost to a whisper, highly effective and moving.’
- Opera
‘Welton is superbly commanding as a distinguished-looking but troubled and disturbing, violently inclined Wotan’.
- Limelight Magazine
‘Derek Welton sang the father of the gods himself with equal confidence. His powerful baritone voice handled the extremely difficult part with ease, cleanly and with extremely clearly understandable diction.’
- Klassik begeistert
‘Derek Welton, very distinguished in his role, is the ideal Wotan of the moment and will be for a long time to come.
- Mundo Clasico
’The Australian Derek Welton, already experienced in Bayreuth, is a simply sensational Amfortas’.
- Kronen Zeitung
‘Derek Welton is at home in the Wagner world and is a welcome guest in the great bass-baritone roles at all major houses. Hearing him live as Wotan for the first time today is absolutely thrilling. His voice sounds intoxicatingly beautiful in all registers. It seems to know no boundaries.
In his stage play, Wotan’s inner conflicts become apparent: His excessive anger seems deceptively real. What is even more impressive, however, is to hear how his heart softens through Brünnhilde’s speech, to feel how much he punishes himself by punishing Brünnhilde. Sung by Welton, the final aria is the most touching of Lied-singing in the greatest of opera.’
- Klassik begeistert
‘Derek Welton stands out among the top-class cast as Wotan with his voluminous and attractive bass-baritone. His facial expressions and body language emphasise his feelings.’
- Das Opernmagazin
‘Derek Welton is a Wotan dazzling with power and presence.’
- Forum Opéra
‘Derek Welton is unsurpassable as Wotan.’
- Kölner Stadtanzeiger
‘Frustration, authority, love, ego: there is no side of Wotan that bass-baritone Derek Welton does not portray wonderfully.’
- De Volkskrant
‘Derek Welton was a pleasantly human Wotan, whose fury was even able to strike fear into the heart of his fearlessly free favourite daughter, Brünnhilde, along with all the other Valkyries. His powerful timbre impressed with its utmost sophistication and never became brittle, even in the angriest finale.’
- Neue Musikzeitung
‘The sought-after Wagnerian bass-baritone Derek Welton gave a stirring performance. He supported his amazing singing lines with a charismatic acting performance in expression and gesticulation, for which he received a proper ovation. One could almost say that he created the prototype of an angry, but also a remorseful ruler. He almost overshadowed everyone on stage.’
- Aktuálně
‘Derek Welton became Lord and King of Valhalla yesterday. His impressive performance contained everything we could have wished for: he portrayed Wotan as a ruler, father and man both strong and failing. His vocal confidence as well as his perfect portrayal of the role were a great experience for the audience, who saw an operatic character created in astonishing vocal and interpretational flexibility.’
- Opera Plus
‘The splendid hero turns out to be Derek Welton. The Australian baritone dominates the overwhelming title role and infuses it with all the colours of the Lieder singer that he also is.’
- Classique News
‘The baritone Derek Welton was the great star in this staged version of Mendelssohn’s oratorio Elijah. His presence, his projection, the intensity of his acting, allowed him to embody an ideal prophet, an angry man, permanently questioning: fulminant in this shadowy oratorio.’
- Classica
‘Derek Welton, a head taller than the rest of the cast, is imposing in the title role. Beyond his stature, his voice of bronze and his energy naturally place him in the footsteps of this “charismatic leader” with inspired phrasing. His timbre has the breadth and darkness of ancient oak, while his concentrated projection has the vitality of youth.’
- Ôlyrix
‘It takes an exceptional artist to portray Elijah. At the Opéra de Lyon, it is the Australian baritone Derek Welton who plays the Prophet brilliantly. Here he confirms a very impressive talent as a singer-actor, portraying a charismatic character: a very tall figure with a powerful voice, a timbre which is simultaneously sonorous and creamy, a superlative technique allowing him to dare flamboyant top notes as well as sustained low notes, nuances and colours, and to be authoritarian and angry in “Rufet lauter” as well as desperate and pleading in “Es ist genug”. He dominates the stage in accordance with his role, always in counterpoint to the rest of the soloists and the choir.’
- cult.news
‘Derek Welton remarkably portrays a varied Elijah, trusting in God but sometimes agitated by doubts (his long monologue “Es ist genug” is a marvel of variety and emotion).’
- Díapason
‘THE voice of the evening is Derek Welton. The Australian bass-baritone gives a heart-rending portrayal of Amfortas. The incredible presence of his timbre, carrying right up to the side of the listener, so to speak, invests a compassion, indeed a participation, that refers directly to Parsifal’s sudden calling. The splendour of his colour and his inexhaustible legato make the King the main character, met with a natural nobility even in his moments of rebellion and despair’.
- Anaclase
‘Derek Welton demonstrates great class as Amfortas: a deathly ill king with a wonderfully healthy voice.’
- BR Klassik
‘The beautiful bass-baritone of Derek Welton (Orest) was a calling card to every Australian opera company and orchestra to invite him home again, and often.’
- Limelight Magazine
‘This prodigiously gifted young singer clearly is on the way to becoming a major international star.’
- MusicOMH
‘Towering performances came from … Derek Welton who, as Wotan, dominated the drama not only vocally but also physically’
- Opera
‘Above all the magnificent Wotan of Derek Welton’
- Die Zeit
‘The best of the bunch was Derek Welton’s Wotan. The Australian bass-baritone sang the young god with fresh vigor and vitality. His gently powerful and darkly lacquered voice tempered nobility with arrogance.’
- Opera News
‘Derek Welton was in insolently gorgeous voice as Wotan, taking the long phrase “In des Morgens Scheine mutig erschimmernd lag sie herrenlos” in one breath, and relishing the high tessitura throughout.’
- Opera
‘The vocal sensation of this performance was Derek Welton as Orest with his powerful, distinctive bass-baritone.’
- News
‘Orest was outstandingly cast with the magnificent bass-baritone voice of Derek Welton’
- Das Opernglas
‘The youthful Derek Welton, whose full bass-baritone flowed effortlessly, is sure to become a prominent Wotan’
- Die Welt
‘Perhaps the greatest revelation was Derek Welton’s dark, resonant singing and powerful physical presence as Klingsor. Clearly this young, British-trained Australian is destined for a big Wagnerian career.’
- Opera
‘Derek Welton showed he is the possessor of a major voice—a bass-baritone of easy power and robust, pleasing timbre’
- Opera
‘Derek Welton’s Christ was particularly outstanding, as was his singing of the two final bass arias in Part Two: time stood still for Komm, süßes Kreuz.’
- Seen & Heard International
‘The undoubted high points were Derek Welton’s glorious baritone, culminating in a powerful yet seemingly effortless “The trumpet shall sound”…’
- BachTrack
‘When Welton thundered ‘I will shake the heavens and the earth’, he did pretty much that: every aria he sang had an easy, unforced majesty.’
- The Independent
‘One of those performers you can’t take your eyes off when he is onstage.’
- Spectator
‘A true Handelian bass, a singer with everything needed for this music’
- Classical Source